What you can’t see can hurt you.
Trapped in a violent, controlling relationship with a wealthy and brilliant scientist, Cecilia Kass (Moss) escapes in the dead of night and disappears into hiding, aided by her sister (Harriet Dyer, NBC’s The InBetween), their childhood friend (Aldis Hodge, Straight Outta Compton) and his teenage daughter (Storm Reid, HBO’s Euphoria).
But when Cecilia’s abusive ex (Oliver Jackson-Cohen, Netflix’s The Haunting of Hill House) commits suicide and leaves her a generous portion of his vast fortune, Cecilia suspects his death was a hoax. As a series of eerie coincidences turns lethal, threatening the lives of those she loves, Cecilia’s sanity begins to unravel as she desperately tries to prove that she is being hunted by someone nobody can see.
Turning its focus away from the title character as protagonist in The Invisible Man works wonderfully horrifically for Leigh Whannell’s follow-up to excellent techno-horror Upgrade. Elisabeth Moss takes centre stage as Cecelia, who in the film’s opening moments is seen fearfully executing her plan to leave a partner who clearly terrifies her. Flicks 4 stars
Alive with fresh thinking from Whanell and a dynamite Elisabeth Moss, this socially conscious horrorshow tips the old monster mash into way scarier shit about toxic masculinity that’s as timely as #MeToo and Harvey Weinstein in handcuffs. Rolling Stone 4 stars
…a triumph… a clever, engrossing and frequently genuinely scary genre flick with a stellar cast and thematic resonance. FilmInk 4 stars
With steady character work banking our investment, Whannell tightens the screws to scare. Total Film 4 stars