After years of slapdash sequels and waning fandom, the Camp Miasma slasher franchise is handed over to an enthusiastic young director (Hannah Einbinder, Hacks) for resurrection. But when she visits the original movie’s star (Gillian Anderson, The X-Files, Sex Education), a now-reclusive actress shrouded in mystery, the two women fall into a blood-soaked world of desire, fear, and delirium.
The Guardian – “Jane Schoenbrun unveils a very enjoyable display of transformative ecstasy and submissive rapture, treating us to a bizarre pop-cultural black mass of fiercely believed-in trash and kink.” (full review here)
Roger Ebert – “Eric Yue’s cinematography keeps the film buoyant instead of the dreariness that could have dominated a slasher homage, while Alex G’s score is inspired. And the casting is marvelous.” (full review here)
Cinapse – “Jane Schoenbrun further cements themselves as not just one of the defining voices in queer cinema, but one of horror’s most vital contemporary filmmakers.” (full review here)
