Thirty-four days before she’s sent to prison, notorious Silicon Valley founder Elizabeth Holmes invites a skeptical film crew to document her every move. What begins as an intimate portrait of an enigmatic felon becomes a mind-bending three-year journey into the abyss. From boundary-pushing directors Nathan Fielder and Lance Oppenheim comes You Can See Everything.
Toronto Guardian – “Even those familiar with Fielder’s unique brand of cringe, even those who think they know the Holmes/Theranos saga inside and out, are in for a shock. While you don’t necessarily see everything in You Can See Everything, what you do see makes for easily the most astounding filmgoing experience of the year. It’s unsettling, it’s brilliant, it’s unlike anything else.” (full review here)
The Daily Tar Heel – “It’s a rewarding yet maddening experience as a viewer — to pick apart each interaction between Fielder and Holmes and examine every facial expression with the utmost scrutiny. Ten people may walk out of the theater with entirely different perceptions of who Fielder, Holmes and Evans are, and to some degree, they are all right.” (full review here)
Cinefied – “It’s about our ability to read people and trust their motivations, no matter how smart or intuitive we think we are, making you question every interaction you’ve ever had and highlighting the expansive gray area between friendship, trust, and truth.” (full review here)
